“Take a moment to Live, Take a moment to Cry,Take a moment to Love,and Don’t ask Why. “ Winter Kills mixed by Armand Van Buuren (2020 )
In the search for the ultimate in Pisces season, two birthdays today give pause for reflection on a certain type of madness with a method. One is a celebrated filmmaker from Italy and the other is a celebrated Tibetan Buddhist guru. They were both born on March 5th when the sun was getting to the mid point of its time in Pisces. Nothing unusual in that you might say; millions are born when the sun is in March under the sign of the fishes swimming in opposite directions. But by bringing into focus these paradoxical qualities we can see that it’s as though some are born with an unconventional streak, a skill for challenge that baffles the rest of us most. A grain of dirt by its grittiness is said to help polish the pearl to its maximum beauty.
They can even use shock tactics can be used as a tool to help people wake up-but it is true that not everyone wishes to wake up as sleeping is much easier to handle. There is violence in this method- shock- and who likes to be pushed outside their comfort zones? But in that shake up there can enter visions of a world which is elevated, like suddenly seeing your life from a mountain top. This sudden access to a realm where the internal and external are fused together better understood as mythopoeic. It is a symbolic understanding of external and internal factors as one and the same phenomena-the bedrock of the astrological viewpoint in fact.
2: Pasolini: the Poet of Film
Film as a medium requires an ability to translate experience into shifting imagery that represents thought forms. There is a deceit at its core in that you watching the dark and immerse into a pseudo-reality, the suspension of the imagination, but we are willing to be carried along and do not want it to end and return to the dullness of daily existence. There is also a glamour- those creatures on screen become larger than life, more beautiful. This effect is pure Neptune- a shimmering mirage. So a prominent sign of that is his Neptune in Leo – which is the hallmark of a career in film; Frederico Fellini, Ingmar Bergman and Stanley Kubrick all have this placement. Director, Robert Altman, also has Neptune in Leo with sun in Pisces. A huge number of very well known actors also have Neptune in Leo. Pasolini’s Neptune is in a fire trine with Mars in Sagittarius and Chiron in Aries so his films became the sword on which he was eventually tortured and pierced.
Arabian Nights (1974) Pasolini
There is what I’d call a ‘juicy’ cluster of asteroids around his Moon in Taurus in the 3rd House. There is not just one but three very evocative energies, suggesting his view of sex was earthy but spiritual. Eros, at 18 ° Taurus, Vesta, goddess of holding the flame of spirit at 22° and Chariklo who is the very ground of being. This enhances the sweet fervor of the Moon in Taurus raising it even higher than its usual exaltation- and it being in the third enhancing his ability to translate that into a visual language for others. Pasolini depicted sex with new levels of earthiness and showed it as natural and part of the fabric of life, not just in his notorious ‘Trilogy of Life’ where he selected stories from Chaucer’s Canterbury Tales, Boccaccio’s Decameron and the Thousand and One Nights. This was an ambitious achievement. According to the BFI notes “In this brazen and bawdy triptych, the director set out to challenge consumer capitalism and celebrate the uncorrupted human body while commenting on contemporary sexual and religious mores and hypocrisies.” This is quite a mouthful for what really is just a celebration of life with highs, lows and the bumpy in-betweens.
Pasolini patchwork
People tended to forget that Pasolini was a poet first and not just a film maker. He had the Sun, Venus and Uranus all conjunct in Pisces in the first house. This made his films stand out even from the other great Italian directors. He crafted films how a poet saw the world- with vision- similar to Jean Cocteau with a spark of originality pitching them at the mythic level. Films are dreams come alive on screen. This was a very sensory way of looking where conscious and subconscious elements are fused into a symbolic mode of expression. The camera loves what it sees. What Pasolini made were really film-poems where the plotline and the superficial slickness or concessions to realism were disregarded.
He made great use of long silences to build up moods and of authentic locations like Yemen, Bakhtapur in Nepal, Cappadocia in Turkey and Mali. This style uses a mode of consciousness that is neither realism nor surrealism, but mythopoeic. He said he saw the world as ‘miraculous’. The Pisces stellium enhances this flow of that being in the world according to Pasolini, and is what Jean Genet called ‘extreme comprehension’ and ‘lightness’ of style as in Theorem (1968) which leaves the aftertaste of an enigma.
If myths are public dreams and dreams private myths as Joseph Campbell said, then myths are living realities playing as dramas in our lives not just remote stories from the past. This allowed Pasolini to transcend labels even as an Atheist, Marxist, Communist, Homosexual or Activist etc. So do not expect any of the usual clichés. The Trilogy of life is unabashed in its celebration of the body almost as if a child was reveling in the humor, the silliness of sex, the sensations and the simple joy- all very Moon in Taurus- but also of seeing the world head on, fresh and simple and giving the common people a voice – Mercury in Aquarius. It is occasionally erotic but not erotic in a manipulative way. It is more like the simple truth of sex and of the body. Many copycat ‘Decamerotic’ films exploited this sexual element just to make money. He watched in horror at this seeing the despoiling of ‘innocent bodies’ which was not his intention- high-minded Pisces is not really made for this world.
These films while uneven in quality are still life affirming and have an authentic feel that other films strive to achieve but never reach. Salo (1975) released after his death is a different matter as his intent was to rub people’s noses in the sadism and malpractices of elite families. It is the one film that triggers people about the horror and systematic abuse – to actually look at it head on is the challenge most do not wish to make. Far from being salacious, it is intensely moral- another contradiction of Pisces using Uranian ‘shock’ with a bit of crazy wisdom.
Terzieff as Chiron in Medea (1969)
Some also comment that the most spiritually authentic version of the life of Christ was The Gospel According to Saint Mathew (1964). This film surprised people as once again he posed the problems and left them open to question. He exalted the peasantry and pre-Catholic state of mind and said that Catholic church is “the superficial crust over the Italian people.” The pagan underbelly was left untouched. He saw the epic and sacred even in in the most humdrum of events- myths then are all around us embedded in the everyday. Pasolini uses the film Medea to place the words of wisdom in the mouth of the centaur Chiron played by French-Romanian actor Laurent Terzieff who had Chiron in Gemini trine to Mars. Chiron begins the film teaching Jason his wisdom. The story is well known from Jason and the Argonauts, but this film focussed on Medea, played by Maria Callas, who killed her own and Jason’s children in revenge.
Chiron reveals all that is prophesied about Jason’s future long before it happens adding that “only those who are realistic are mythical and only those who are mythical are realistic.” This is essentially the belief of the psychological astrologer because myths are the keys that unlock the code of reality and the hardest thing to learn is that the mistakes we make are a necessary part of the unfoldment in every day life.
Birth 1922 and Death Pasolini 1975
There is something of the martyr in Pasolini– again very Piscean- that sense that he sacrificed everything for his art. Pasolini was reviled and loathed as he was a provocateur. He was indicted for either obscenity or blasphemy 33 times and was acquitted 33 times. Rejected by the Italian media and politically he nevertheless persisted in an uncompromising works. He was prophetic he was as he said back in the sixties that hyper-consumerism would become the most insidious poison. He was even murdered brutally in 1975 on a stretch of land near Ostia with fingers pointing to neo-fascist groups as orchestrators of the assassination. One comment he made in 1967 is telling: “It is only at the point of death that our life, to that point ambiguous, undecipherable, suspended – acquires a meaning.”
It is morbid to speculate the death time for Pasolini as it is not clear what the exact time was, but in the absence of a clear story about what happened, astrology can play the psychic detective and give some clues, perhaps even a message for the 21st century? Astrology has an unnerving sense of accuracy in the way it parallels events be they good or bad. His body was found battered and burned around 6am on the morning of 2nd November 1975. My guess is that the time was around 3am when the angles would chime in, but even without an exact time, it is clear that transiting Pluto in Libra was square to Pasolini’s natal Pluto in Cancer. Transiting Mars also conjuncts that natal Pluto in Cancer. Neptune loves to mystify and spin lies also transits Pasolini’s natal Mars and the details of this case are still to this day being un-ravelled with the accepted wisdom being -better to let it rest as it would uncover too much of a painful can of worms.
I could bring Saturn into the picture to confound the tangle of potentially negative events but I think this is enough to show that even if he had survived, that event would have damaged him for life- the potential was there. Yet he was brutally murdered and the shock waves are still reverberating. Pasolini’s Chiron is at 11° of Aries the point to which it will return in May of 2021- this previews perhaps a resurgence of interest in him as it completes a double return of his Chiron to the same point in the chart. The centenary of his birth will be in 2022, perhaps when we will find out who really killed him. Several films have been made delving into the crime of his death and it would be true to say Pasolini is still with us in many ways.
Growing, guiding, nurturing, cultivating, encouraging, accepting kindness and truly understanding your place in life and the planetary archetypes and cycles of change.
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